Each year, I send
about 30-40 holiday greeting cards to friends and family. Nothing
out-of-the-ordinary about that! What makes my greeting cards a bit
unusual is that I include a small hand-made holiday ornament with the
greeting card. I started this little
tradition a few years ago. And now, it has become somewhat of a highly
anticipated event for my friends and family. The pressure is on when
October turns into November and I haven't started the
card-stuffing-creation-process. Sometime in Mid-November I typically
bump into a neighbor who says something like, "I can't wait to see what
you've done for your cards this year!" Nothing like a little added
pressure during a crazy time of year. This year, my plan was pretty easy. The Mini Scrap Grid
(sorry, if you are tired of hearing about this!--but I must admit that
I'm rather addicted to the stuff!) allowed me to create a whole
miniature quilt to stuff into each of my holiday cards.
While the grid is
designed to make 9-Patch blocks, there are plenty of ways to create
9-patch blocks that have a bit of an attitude! All using a grid
requiring 1" squares! I decided to make some
itty-bitty half-square triangles. Well, I cheated! They really didn't
start out all that itty-bitty. I used two holiday-themed 2" scrap
squares from my ScrapTherapy bins. On one I drew a diagonal line, then
placed them right sides together and sewed two seams. Cut them apart,
pressed, them, then trimmed them down to 1" square using my 2-1/2" Bloc loc half-square triangle trimmer.
I was making a LOT of cards, so I needed a LOT of half-square triangles, leaving a LOT of holiday-themed 'confetti!'
I made a bunch of
itty-bitty four-patches, too! These were strip-pieced with 3/4" wide
fabric strips. You can get a lot of 3/4" by 5" fabric strips from a 5"
scrap square (you got it, the scrap square came from the ScrapTherapy
I even 'furled' the seam intersections from the back, so my ornaments would be perfectly flat!
Then stacked up the blocks. Lotsa stacks of fancy 9-patches! Ready for borders.
Fused the batting in between the little quilt top and matching backing fabric. This is starting to look festive!
A little pinking around
the edges and add a perle cotton loop for hanging . . . Repeat about 50
times to have enough for my list (after checking it twice)! Now, all I have to do if find time to stuff my cards! . . . Any one know any unemployed elves who know how to lick an envelope? Happy Stitching! PS. While it might be a
bit late to begin your ornament-making project for this year, I say,
it's never too early to start thinking about next Christmas. Ask for a
Taste of Nectar Ornament pack at your favorite quilt shop, or order one
(or more) right here.
Well. Look what arrived in the mail last Friday. All the months and months of preparation seemed like they'd never end. Then all of the sudden an actual book shows up! I received my first author's copies of the new book, When Bad Things Happen to Good Quilters on Friday. It's quite different from the previous two books. This book is full of stories, tips, best practices, and advice--and even a little humor--to get a quilter out of a jam. Ask for it at your favorite quilt shop. Or place your order here, keep in mind, I haven't received my 'real' order yet, so it might take a bit before I can ship them!
I can't wait to hear what you think about the book. I hope you like it, if you decide to make a purchase. (It will be arriving in stores everywhere just in time to make it on your holiday wish-list!--just sayn *wink!*) In the meantime, just before the Thanksgiving holiday, I headed to Las Vegas, Nevada. No, not to take advantage of the entertainment 'opportunities' available almost anywhere you go (like here at the airport).
I was actually headed to Henderson, Nevada and Quiltique.
Your first impression as you take your first step through the door is all about color, fabric, and pure inspiration.
. . . more color is around the next corner . . .
. . . and the next one, too!
In fact, you can find colorful fabric and project ideas to inspire in every corner of this Bernina dealership!
Wait! I wasn't there only for the eye-candy. We had some 'work' to do. A trunk show and two workshops! The Runaway Thread quilt was the first of two workshops to be held in the spacious classroom.
Doesn't the quilt look beautiful hanging right behind the counter!
The second workshop, the Bloomin' Steps quilt yielded some beautiful scrappy colorful blocks made with some slick techniques.
Perhaps what made this trip more memorable than most is that the staff bowling outing coincided with my visit, and I was invited along. It's funny, I found my bowling 'skills' improved after a cocktail or two. Let's just say, I don't expect to see my picture hanging in the Bowling Hall of Fame any time soon! It was difficult to leave my new friends in Nevada to head back home to New York state. But it was wonderful to see that everyone's scrappy masterpieces were under construction. Happy Stitching, joan
Recently, I exhibited at two big quilt shows in Houston, Texas: Quilt Market and Quilt Festival. This post isn't about the shows; it's about the things I heard over and over again--frequently asked questions or comments--in the booth. My objective for both events was to spend a fair amount of time visiting with quilters and introducing them to the ScrapTherapy Mini Scrap Grid. My display prominently included the 99 Bottles quilt from the book ScrapTherapy, Scraps Plus One! And my demonstrations featured the Mini Scrap Grid.
The 99 Bottles quilt has about 500 nine-patches that finish to 1-1/2" square. It's a beautiful quilt; it was fun to make; but no doubt about it, there was a fair amount of work involved in making it.
"Look at those little 9-patch blocks! That was done by sewing strip-sets, then cutting them apart." Actually, the quilt wasn't made from strips, using the cut-up scrap fabrics from my ScrapTherapy bin, I started with 2" squares to make the miniature 9-patches. When you cut the colorful squares in half twice, the result is four matching 1" squares. To make a 9-patch, I needed five more 1" squares and I chose a cream-colored solid for contrast--those squares were cut from yardage. It was just easier to make the seams one at a time for each miniature block than to try to figure out how to do a strip-piecing routine, one 9-patch at a time.
Working with small fabric squares isn't for everyone. For me, I found that sticking to a small piecing goal each day was rewarding and kept the project moving in a positive direction. As a bonus, my 'regular-sized' piecing became much more accurate as a result of handing the smaller pieces. And it was really gratifying to watch my scrap fabrics being converted into a project, even if it was only one little square of fabric at a time.
"Did you use the Mini Scrap Grid interfacing to make the quilt?" Actually, no. The interfacing (the Mini Scrap Grid) came after the quilt. I never intended the quilt to be a pattern at all, making the miniature 9-patches as a personal challenge (sick as it may seem!). As the quilt came together with some additional cool techniques in the sashing and borders, it seemed like a good idea to include it as one of the projects in the book. The interfacing was developed for the quilt and it's job is to make miniature 9-patches that finish to 1-1/2" square. The small squares are fused or stabilized to the interfacing following the printed grid. Once fused to the interfacing, the small squares become easier to handle, plus the sewing lines are printed right onto the interfacing. I have to say, I think I'm addicted to the stuff and have developed a few more patterns for it with more on the way. "You can use the interfacing to make the larger 9-patch, too!" Well . . . not so much. For the 99 Bottles quilt, the miniature 9-patches are sewn alternately with 2" scrap squares to make a medium-sized 9-patch. Then medium-sized 9-patches are sewn together to make the block.
It would be a waste of fabric to fuse a larger than necessary solid fabric square on the interfacing between the 9-patch squares (a mock-up with red arrows pointing to the oversized scraps is shown below), then sew seams through everything (the purple-ish dashed line), including the solid fabrics. Trust me, it's sounds like a good idea, but meh.
"Why start with 5" scrap squares to cut 1" fabric squares? Can't you just cut 1" strips from yardage?" The 99 Bottles quilt isn't the only pattern I've written that uses the ScrapTherapy Mini Scrap Grid. Several additional patterns--Mini Mug Mats, pins, and the Toss Across runner--start with 5" squares. With a few quick cuts, the 5" squares become 25 smaller ones that are 1" grid-ready. Why 5"? The 5" square is one of the three scrap sizes that I recommend to cut and store in the book, ScrapTherapy, Cut the Scraps! And it's a common size for popular pre-cut fabrics. Could you cut 1" strips from yardage? Of course! But I like to use my cut-up scrap fabric in the sizes I use frequently whenever I can!
"Why bother cutting the grid apart to make the mini 9-patches? Just sew between the mini 9-patches before cutting them apart to make a larger mass of 9-patches." Yes, you could do that, but the grid was designed specifically to be a 9-patch grid, not a 'watercolor,' all-over grid. So the process of cutting apart the nine-patches (where the red-dashed lines are), pressing and trimming them to size works better than sewing the seams (along the red dashed lines), at least in my mind--but then I'm a serious tidy-butt with my piecing!
Is this the only interfacing you have? Quiltsmart prints my interfacing and they have a whole bunch of different interfacing-intensive projects to make everything from Mondo Bags to full-sized quilts to applique shapes. The ScrapTherapy Small Scrap Grid is used in several of the quilt projects in both books, but is perhaps best known as the vehicle to make the super-scrappy border on Bloomin' Steps. And, besides the Mini Scrap Grid, there just might be another ScrapTherapy interfacing product in the works. You'll just have to stay tuned for more information . . . If you would like the complete how-to for using the Mini Scrap Grid interfacing, a detailed step-by-step tutorial can be found here. Happy Stitching!
My husband, Dave, recently joined the Syracuse Musketeers Fencing Club. He's been many years away from the sport, but seems to be enjoying himself as he gets reacquainted with the hobby/sport. (With a few bruises to show for it!) Last week, one of his fencing partners handed Dave a brochure for the Open Studios and Holiday Sale at the Delavan Center. When he's not wielding a sword, Mark is a painter, and his wife Judi makes jewelry; both artists lease studio space at the Delavan Center on what is known around here as the Near West Side in Downtown Syracuse. The Delavan Center has a fascinating history. It was originally a plow manufacturer, then it became a John Deere factory, but since 1971, it has been operating as a honeycomb of artists' studios. Once a year, the artists clear away the paints, beads, and laptops, and open the doors to the public for a holiday sale. The building interior is a maze of oddly-shaped studios, and one can easily get lost walking through the expansive site. Each studio has lots of natural light and high ceilings--and plenty of creative neighbors! It seemed to be a perfect soul-nurturing atmosphere! Tempted by many of the artists and their displays, I settled on these treasures, although Judi's beaded jewelry was tempting and oh-so-unique! Maybe next time.
Then on Sunday, my sisters and I headed to Fly Creek Cider Mill. If you've been reading this newsletter for a while, then you know, this is an annual affair, complete with matching pumpkin-applique sweatshirts.
Feeding the ducks and geese at the pond behind the mill is a must.
We used to have to remember to retrieve hoarded quarters for the coin-operated duck-feed dispensers. No more. They've thought of everything at the mill.
The cider mill is full of tasty sauces, dressings, and dips, all available to try before you buy. Apples and cider, too--it's a cider mill after all. And don't forget the fudge! Sometimes the best experiences are closer to home than you think! And you don't have to travel at all for a local treat. With the crazy holiday rush approaching swiftly, I think the best of the season is the 'ordinary' stuff you can easily forget to do. Do you have a favorite creative spot or annual open house or event in your local area?
Do tell! . . . Post a comment below to share a nearby must-do/must-see in your community. Why is it special for you? Happy Stitching!
Quilt Festival celebrated it's 40th anniversary with this year's show--their Ruby Jubilee! Seems appropriate to have a display of red-and-white quilts! The beautiful display is reminiscent of the Infinite Variety display of quilts at the New York City Armory in 2011.
If you are a new follower to this blog, you may know that anything 'bird' seems to draw me in! This quilt was no exception. The quilt is called Nocturnal Gardens by Ted Storm.
A closer look really shows off the incredible detail.
If you have a parrot, then you know that an occasional bite on the ear is part of the program. The macaw's tail extends below the main part of the rectangular quilt. The quilt: She Loves Me--She Loves Me Not by Holly Altman.
It's hard to believe that this is a quilt at all. Amazing detail! It's painted, and appliqued. Dazzling Dahlia by Andrea Brokenshire.
Something about this wolf drew me in, perhaps it's the reflection of the wolf's body on the surface it rests upon. Heavily thread painted, the wolf is very realistic. Seneca by Ferret.
This whimsical quilt sampler of appliqued pets in all shapes and sizes--fish, bunnies, dogs, cats, and of course, birds--was quite fun to look at! All in the Family by Nancy Brown.
Although the title hints of a different locale, this reminds me of the Alaskan cruise this summer! Maui Gold by Karen Donobedian
Now take a closer look to see scads and scads of mind-boggling detail. Unfortunately, my phone jiggled at an inopportune moment, and I'm not able to credit the title and maker of this exquisite piece. I do know that the quilt maker is from Japan.
The winner of the Robert S. Cohan Master Award for Traditional Artistry sponsored by RJR Fabrics. One of the grand prize winners. Delicate detail and soft colors. Lovely! Breezy Garden by Kayoko Hibino.
It's so inspiring to see the different entries from all over the world. It makes me want to 'step up my game' in my own quilting. If you didn't make it to Houston this year, I highly recommend it for your quilty bucket list. Happy Stitching!
With one or two deep frosts already under our belt this season here in central New York, the last couple of days have brought a reprieve from the approaching chilly season in the form of a few warm, breezy days. So warm, that a quick trip to Gannon's Isle for a cone of yummy pumpkin ice cream was in order on Tuesday with my friend Janet Lutz of Calico Gals. The place was mobbed just like it would be in the middle of July. And yesterday morning, as the sun was rising, this was Mother Nature's greeting. The clouds soon over took the sky, and the weatherman says they're here to stay for a few days. However, with a morning like this, how can the day possibly get off track?
Quilt Market (big trade show) and Quilt Festival (bit retail show) are fast approaching, and all my productive energy seems to be going toward booth preparation, samples, printed materials, and product for sale. As well as preparing for the road trip to Houston. At my Quilt Market booth (booth 932) and at Quilt Festival (booth 609), it's all about the 9-patch, and the Mini Scrap Grid Interfacing. And, of course, all the associated patterns.
On Sunday morning during Quilt Market, I'm teaching a Take & Teach workshop. Shop employees can have hands-on experience making a Mini Mug Mat using the Mini Scrap Grid interfacing. Many thanks to Presencia and Colonial Needle, Creative Grids, and Timeless Treasures for providing our class supplies. And let's not forget Bernina for the fabulous machines we'll be using! Last I knew, there's still space in the class, so pass this along to your favorite local quilt shop owner so he or she can reserve his or her spot!
More goodies for goody bags . . .
And some fabulous treats to wear thanks to Hoffman California Fabrics and the brand new 1895 Bali hand-dyed fabrics. These 9-patch pins will be THE bling to wear at either show!
Enough distraction for now. I'd better get back to business and put my 'nose to the grindstone' - although that really sounds quite painful. Maybe I'll stick to sewing!
With Quilt Market and Quilt Festival approaching, a lot of my energy and time is going toward preparing quilted samples and printed materials. With all that going on in the sewing room and at the computer, who has time to cook? And yet, the farmer's market is just loaded with tempting harvest produce this time of year! My family heritage is 100% Polish, and that means a large, fresh head of cabbage translates to only one thing: Golumbki (pronounced go-WHUMB-kee), or stuffed cabbage rolls.
As a kid, I used to watch my mom par-boil a full head of cabbage after cutting out the core, pull off the large leaves one by one as they softened, then stuff them with a mixture of rice, meat, tomatoes, and seasonings. Her hands would skillfully and carefully roll up each leaf, then pack each tidy cabbage roll into a huge roaster pan to finish cooking in the oven. It took all day (it seemed) in the kitchen. The result was a real harvest treat! A slice down the center of each steaming cabbage roll left room for a touch of savory butter, melting into the center. Just thinking of those days, makes my mouth water. Comfort food, for sure. I've searched for a recipe that simplified the process, but maintained the flavor and texture from the cabbage rolls. And I think I've finally found the secret formula. Ingredients are tossed together in a lasagne pan then baked--maybe thirty minutes of prep and 90 minutes in the oven--a far cry from the all-day leaf-rolling affair that I remember as a kid. Super easy! Super yummy. And plenty of leftovers!
You want the recipe? Download a copy here. Enjoy and . . . Happy Stitching!